The Art of Fiction No. 242
“I want to create absurd and hilarious, but also dark and revealing, edifices of language.”
“I want to create absurd and hilarious, but also dark and revealing, edifices of language.”
“The book attained a mind of its own, a subjectivity or an autocatalytic machinelike quality.”
Davis called, told me he was dying. He said his case was—here was essence of Davis—time sensitive. “Come visit,” he said. “Bid farewell to the ragged rider.” “You?” I said. “The cigarette hater? That’s just wrongness.”
Classic American story: I was out of money and people I could ask for money. Then I got what the Greeks, or even the Greek Americans, call a eureka moment.
Sam Lipstye on the powerful qualities of Mary Robison’s story “Likely Lake.”